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Title: Never Look Away, poses a rarely discussed question; Are artists as liberators, revolutionaries, and thinkers, letting themselves down by endorsing one or the other political party The argument, as expounded by the art movement in the Dsseldorf Art Academy of the 60s, assumed that artists cease being revolutionaries the moment they try to answer the questions that their own art raises.

These days, many dismiss the thought as elitist and often root for a particular party that they consider the lesser of the evils, while some go all the way to establish their own political party.

Its an interesting thought nevertheless, one that will shape the art and work of the films protagonist Kurt Barnert (Tom Schilling), whose character was inspired by the life of one of modern Germanys celebrated painters, Gerhard Richter.

He has a close relationship with his beautiful teenage aunt Elisabeth (Saskia Rosendahl), who would sometimes take him to modern art galleries, or stop by the bus station to listen to buses blaring their horns in unison when requested; little Kurt and Elisabeth were close friends who shared their thoughts and secrets.

Their Eugenics-supporting family doctor and Nazi member forcibly removes Elisabeth from the family home after falsely attributing her eccentricity and creativity to schizophrenia.

As an art student, he finds the Communist approach to art not too dissimilar to that of the Nazis.

He however falls in love with Ellie (Paula Beer), a fashion design student at the academy, who bore a striking resemblance to his beloved late aunt Elisabeth.

Ellies father, none other than Professor Carl Seeband himself, had cleverly managed to evade the War Crimes Tribunal and also found for himself an important position within the Communist establishment.

But Kurt is unaware of Seebands role in Aunt Elisabeths tragic fate, and neither it seems, is Seeband aware of Kurts relationship to Elisabeth.

Determined to pursue art in Dsseldorf, Germanys most avant-garde academy, Kurt finds himself creatively challenged by professors and peers alike.

The fertile environment, not least his father-in-laws overbearing put-downs, enable him to evolve his own style and eventually discover himself.

The cinematography, production design, casting, and script is award-worthy, with notable performances from the main cast.

And for a pleasant change, one finds the English title for the film being much more apt than the original German title.

A sweeping statement this might be, but heres my explanation; the scenes are liberating rather than exploitative, and theyre unapologetic about depicting it in a matter-of-fact manner.

They give an artists point of view, and more importantly, they dont pander to trendy nonsense such as the so-called concern regarding the male gaze this is after all a film about an artist who actually painted nudes as part of his art, and as the title suggests, never shied away from looking.

Coincidentally, some of the scenes do remind you of Eliseo Subielas similarly titled Dont Look Down.

There are at least eight noteworthy scenes in the film, of which four feature frontal nudity.

A friend of mine told me about the site and was all praises for the collection.

Werk Ohne Autor Torrent